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'LCD Soundsystem is Playing at My Festival'

 

  The White Stripes cancelled their show at Austin City Limits just four days before the festival...and it couldn't have worked out better.

  "What'n the hell, you ask?"

  Let me explain. 

  After seeing the candy-cane colored duo at Bonnaroo earlier this summer, a friend and I had the difficult decision of choosing between them and Arcade Fire on Saturday night.  We both reasoned in favor of the Fire, only because it had been awhile since we saw them, and the Stripes' set at Bonnaroo would be tough to beat.

  Now, The White Stripes are one of the few bands that consistently knock you on your ass each and every time you see them. 

  It just so happens that the Arcade Fire are also one of those bands.

 

  Chills, unprovoked screaming, clenched fists (in a good way), and general euphoria consumed me as their set came to a close.  Saturday night at Austin City Limits was one of the best nights of my life.

  After an exhausting day of heavy drinking, scorching hot temperatures, plenty of walking, and a full day of music, we were ready for more.  At a normal festival scene, this does not usually happen.  Thank you ACL for ending around 10 p.m. each night, allowing for showers and a hotel rest over the weekend. 

  The songs off their most recent record, 'Neon Bible,' truly take shape live, with 'Keep The Car Running,' 'Windowsill,' '(Antichrist Television Blues),' the reinvented 'No Cars Go,' and 'Black Mirror,' impressing along the way.

  With six tall, evenly-spaced light rods that changed colors (blood red being the dominant), to the five circle-screens flashing different images of the band and artwork from 'Neon Bible,' to the backdrop that featured all the bandmembers in (slightly haunting) closeups of their performance, it looked like something out of a David Lynch movie, only not confusing or disturbing. 

  Even all that doesn't take into account the material off their masterpiece, 'Funeral.'

  'Funeral' is our generations' bottle of fine wine, it will only get better with more time to age.

  The Fire have gone from Underrated to Overrated very quickly, and all they did was put out another great album.  My advice is to let them be, enough debates, comparisons, and put downs.  If you don't want to listen, that's ok, move on to other bands. 

  A song by song review of the show would be unnecessary and filled with alot of hyperbole, but I will say that 'Tunnels,' Rebellion(Lies),' 'Power Out,' and 'Haiti,' were all played to great effect, and the encore of 'Wake Up' had me and about 50,000 other people screaming their lungs out, and shaking with sheer emotion (not hyperbole). 

  Thank you to the Arcade Fire for giving me not only a monumental show, but a nice swift kick in the pants so I could go out and enjoy Austin, instead of going back to the hotel and passing out.

  Best show of the weekend, and quite possibly the year, which is saying a whole hell of alot.

 

(ed. note: unlike the Bonnaroo recap, this will not be in chronological order).

 

  Moving backwards, Friday began by dropping off the nicest dog ever (Copper) at his 'resort' for the weekend, and ended by being so drunk that Bjork blew me away with a great set. 

  I have nothing against Bjork, in fact, I enjoy a large portion of her work.  Does she make some inaccessible music?  Of course.  But she saves that for her records.  Her setlist Friday night would have been hard to improve upon, and thank goodness.

  Along with Rose Hill Drive, (more on them later), she was my surprise set of the weekend, and not just because I was under the influence.

  Unfortunately, because of the wait at the entrance on the first day, we missed Peter Bjorn & John, as well as Bela Fleck, but there's a good chance to catch them next summer at one of the festivals, so no hard feelings about losing six pounds and sweating through my clothes before even getting in to the park.

  Anyways, first on the schedule was either Joss Stone or Crowded House, so we headed right to the bar.  After we each filled both fists with Heineken's, we sat down and listened to a typical (good) set from Stone.  It was a nice way to start the weekend; background music, great scenery, and two cold beers.

  After hearing one syllable from M.I.A., we headed across the grounds to LCD Soundsystem and two more beers.

 

  These guys are great.  He's currently on tour with Arcade Fire and I strongly recommend the show to anyone.  Go see this show, roadtrip it if necessary.  Worth the time and money, and you will be hard pressed to stand still for the duration of LCD's set.

  Two more beers.

  Next up is Spoon. 

  Spoon is great. 

  Their albums are (almost) flawless favorites of mine. 

  The new album, 'Ga Ga Ga Ga Ga' is their strongest. 

  Their set was very, very good. 

  Everyone should listen to this band. 

  Thanks to Dave Foster, for the education. 

 

 

  Two more beers, and The Kaiser Chiefs are not impressive live. 

  Two more beers, and over to wade through the masses for The Killers.  Wasn't expecting to stay very long and we didn't. 

  It wasn't as fast as leaving M.I.A., but that's only because there were more people to get through.

  Two more beers, landing finally at Bjork and the last show of the day.

............................... 

  Saturday was a late start, but a good one.  At the smallest stage in the venue we found shade, and a nice surprise in Cary Ann Hearst & the Gun Street Girls.  From South Carolina, Cary Ann (a woman) has an irresistible voice, and the Gun Street Girls (all guys) can definitely play.  Their songwriting is a little rough, but the voice, hooks, and musicianship are all their in spades. 

  Cold War Kids and Stephen Marley followed and they both were very entertaining; fortunately, the sound wasn't as bad as Bonnaroo(CWK), and I actually remembered Stephen Marley this time around.

  Andrew Bird was up next, and though I had seen him before, I was excited to hear material off his new album, 'Armchair Apocrypha.'  He did not disappoint.  The man is a world class whistler, plays the violin, guitar, keyboards and percussion, as well as possessing the best voice in his genre.  A lot of times an abundance of talent doesn't translate into accessible and even meaningful music.  Andrew Bird is certainly not a part of this group.  All around remarkable artist.

  A load of bonus points for performing with My Morning Jacket on Sunday.

  We walked over for Damien Rice before heading back for Arcade Fire...

 

  Sunday, Sunday, Sunday.

  Caught some of The National, The Broken West, and STS9, missed Ben Kweller, watched Common, and then happened upon Rose Hill Drive.

  These guys were on my list, but up until walking in that direction I had forgot about them.

  They were on the second smallest stage and started out with a small but modest crowd, but by the end of their bass-destroying set, the area was packed with new fans, not one of them standing still. 

  The Rock & Roll trio is straight out of 'Almost Famous.'  The look (long hair, full beards), their sound (a younger version of Led Zeppelin, Soundgarden, The Who), and attitude (hard-working, up-and-coming band), is The Allman Brothers early years all over again.

  As far as the bass player/lead singer vowing to smash his instrument at the end of the show; he came through and handed the remains to a fan in the front row. 

  Badass guitar, vocals, and drums.  Badass show. 

  Second live recommendation: to anyone who likes old school rock, (or Kings Of Leon), go see them.

 

  Ah, My Morning Jacket. 

  One of the many highlights of the weekend, because, quite simply, whenever you get the opportunity to see MMJ do what they do best, it's a highlight.

  These guys might be the best band in America.  They don't have one bad song.  Jim James' voice is perfect.  They jam.  And they absolutely rock out. 

  The band walked out in snorkels, floaties, tank tops, a huge blond wig for Jim James, and flip-flops, to match the tropical island background. 

  During 'Wordless Chorus,' they were joined by beautiful hula dancers that held pineapples up for the rest of the show.

 

  They truly have something for everyone, and a special thanks for breaking out 'Phone Went West,' off the album 'At Dawn.'

  The first three paragraphs of that My Morning Jacket section could be repeated for The Decemberists, who directly followed them. 

  In an entirely different way than MMJ, The Decemberists do it all.     

  They have a great singer/songwriter in Colin Meloy (who has a bigger vocabulary in his left earlobe than I do), and the band can swing.  Prog rock, old school folk, early Dracula tales, pop, and country blend into one distinctive sound, and as the sun went down in Austin, the band's sound got turned up, as our crew enjoyed another great set. 

 

  Bob Dylan and his band closed the festival,  and though we didn't go up close for it, the mobs and mobs of people who left prematurely showed the lack of patience/acceptance in his weary voice. 

  His band is great, his setlist pulled out a few surprises, 'Ballad of a Thin Man,' and the man can still play the harmonica.  Is his voice deteriorating?  Of course.  But the man has been touring (with a couple of extended breaks) almost non-stop since the early 1960's.  Be reasonable.  He's not going to recreate that old voice.   

  This should be obvious, but it was interesting to see so many closed minds at a music festival that's whole purpose/initiative is to open them.  After three days of great music, maybe that's Dylan's last laugh; to get a crowd on his own terms at a large festival, and turn all the others away and send them home. 

  I would bet he was smiling all the way back home, giddy over all those people that heard his rough rendition of "Rainy Day Women,' and walked out on their own assumptions, while he saved his best for last. 

  And if that's true, with all due respect to Rose Hill Drive's bass destruction, that F*** you to the crowd would be the ultimate Rock & Roll moment of the weekend.

  I say good for you Bobby D., keep on sticking it to the man.

  Thank you again to our lovely hosts, Matt and Paulina Kaltenbach.  We will definitely be back next year for another round.

  - Ben